THE SLEEPER
A
recently-produced movie that was released in 2012, The Sleeper is a period
slasher film set mostly in 1981 (aside from a brief prologue in 1979). The plot follows Amy, a sophomore in college
who gets invited to a party at a sorority house that is plagued by weird phone
calls from a whispering fellow who sometimes giggles and cries. The caller manages to systematically pick off
the sorority sisters throughout the course of the film via various methods
(hammer to the face, gouging out eyes, and such). Amy, the ostensible lead character, vanishes
through much of the middle of the plot (she’s hanging out at a bar) while the
killer does his thing. Amy ultimately
comes face-to-face with the antagonist, who chases her across a strangely
deserted campus (apparently the filmmakers couldn’t afford to have extras in
the background). Amy coincidentally
winds up in the murderer’s lair (an old storm basement in a campus building),
where she finally takes some action by stabbing the guy. An epilogue suggests that her ordeal might
not be over.
The Sleeper
features an excellent soundtrack that evokes the spirit of John Carpenter’s
early scores, but unfortunately the script features bland and largely
interchangeable characters, a boring protagonist, and a prolonged dance scene
that does nothing but kill time. The
auteur behind this project (Justin Russell) does a fine job capturing the look
and feel of an early eighties slasher (if I had watched the movie without
knowing anything about its production history, I could easily have been fooled
into believing it was an actual lost stalk-and-slash film from thirty years
ago). It’s a shame that the heroine is
so passive (while the killer uses a hammer to smash open the door of a room
she’s in, she cowers and cries instead of actively searching for a
weapon). The dialogue is plain and
expositional, and there’s no explanation about the killer’s identity or
motivation. For a much more engrossing
story about sorority girls in jeopardy, check out the original Black Christmas
from 1974 (not to be confused with its 2006 remake).
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