THE STRANGE
AND DEADLY OCCURRENCE
A
tension-filled made-for-TV project from 1974, The Strange and Deadly Occurrence
follows the three members of the Rhodes family (father Michael, mother
Christine, and 16-year-old daughter Melissa) as they acclimate to their new
isolated house in the California countryside.
Strange happenings on the property unsettle the family members. Melissa screams one night and reports that
someone touched her hair and face (the perpetrator presumably exited through an
open bedroom window), but Michael chalks the incident up to the wind blowing a
curtain onto his daughter as she slept.
The family’s new dog gets killed, and the sheriff concludes that the pet
got trampled by the horses in the stable.
Christine gets trapped in the steam room near the pool and passes out
from the heat. A fellow named Dr.
Gillgreen shows up a couple of times asking to buy the house, and Michael
concludes that he is the one stalking and terrorizing the family. In one especially spooky sequence, the power
goes out one night, and the Rhodes find that the phone is dead. Someone bangs on the walls and doors, and
eerie shrieks come from outside. Unlike
many characters in horror films, the Rhodes opt to stay together in one room
and wait until morning instead of splitting up and wandering around in the
dark. At sunrise, they find Dr.
Gillgreen dead in the swimming pool. An
autopsy reveals that someone strangled him.
Michael races home from his office after asking the police to get to the
house and take his family to safety.
There he finds a dead deputy, and at last he comes face-to-face with the
stalker (who has Christine and Melissa at gunpoint). I won’t spoil the ending, but the antagonist
does have a compelling reason for wanting to scare the family off the property.
The Strange
and Deadly Occurrence sets a tone of suspense and dread right from the opening
scene by putting the viewer in the stalker’s voyeuristic point-of-view as the
camera approaches the house and peers in a window. I was engrossed throughout the movie’s
73-minute running time (about the average length of made-for-TV fare from the
seventies) as I tried to guess the identity and motive of the stalker until the
big revelations in the tale’s finale. The
Rhodes take a proactive approach to their situation (Michael acquires the
ill-fated guard dog and also brings a gun home), unlike some characters in
lesser similar stories. Though the
characters are a bit generic and bland, the plot kept me interested and
wondering what would happen next. The
Strange and Deadly Occurrence is a decent little film that will entertain you
for an hour and thirteen minutes. Over
three decades after it was produced, this project holds up with its timeless
story of a nuclear family in jeopardy.
It’s worth seeking out.
DEATH CRUISE
Penned by Jack
B. Sowards (one of the credited writers on Star Trek 2: The Wrath of Kahn),
1974’s Death Cruise is more of a murder mystery than a flat-out horror
tale. Three couples (the Carters, the
Radneys, and the Masons) meet on a cruise ship and realize that they all won
their all-expenses-paid vacations from the same promotional company. Jerry Carter goes missing one night, and the
crew concludes that he fell overboard.
Elizabeth Mason dies seemingly from a fall down a flight of stairs, but
the ship’s doctor concludes that she might have been murdered by blunt-force
trauma to the head. After David Mason
finds Sylvia Carter dead with two bullet holes in her, no one doubts that there’s
a killer on board. The murderer seems to
be targeting just the Carters, Radneys, and Masons, who may have crossed paths
four years earlier in Atlanta. Ultimately
the ship’s doctor pieces together some clues, and justice prevails. I won’t spoil the identity and motive of the
person behind the deaths, but I will say that I perceived the final couple of
twists as quite clever.
Death Cruise
runs a mere 70 minutes, and it’s a fun ride with some enjoyable dialogue and a
cool mystery at its core. The plot takes
a good fifteen minutes to get well and truly underway, but soon enough the
filmmakers set up some interesting questions about just what’s really going
on. I was utterly blindsided by the
ending, when the antagonist comes face-to-face with the ship’s doctor. This project is yet another long-forgotten
made-for-TV gem worth tracking down.
CRY PANIC
Another 1974
made-for-TV movie penned by Jack B. Sowards, Cry Panic follows a fellow named
David Ryder (played by John Forsythe) who in the opening scene accidentally
mows down a man with his car. He walks
to the nearest house, where a young blonde woman allows him to use the phone to
summon the police. When he returns to
the accident scene, the authorities have already arrived, and the body is
gone. The townsfolk seem skeptical of
his story. Ryder stays at a motel while
his car is repaired and soon finds himself embroiled in a conspiracy involving
adultery, cover-ups, and lots of gunplay.
Cry Panic is
more of a mystery than a straight horror story, though it does include one
horrific moment (when the protagonist discovers a corpse hanging from a meat
hook in a freezer). The whole project
runs about 73 minutes, and I was engrossed the whole time as more and more
questions piled up about the nature of the conspiracy among the community
members. The ending (in which the
testimony of a housekeeper saves the hero from a life behind bars) seemed a bit
deus ex machina, but otherwise the tale is well-constructed and worth a look.
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