THE EYE (2008 English language version)
An American remake of a 2002 Asian film title Gin
Gwai, The Eye follows a violinist named Sydney Wells who has been blind since
age five due to an accident with firecrackers.
Sydney undergoes an operation, receives new corneas, and gradually
reacquires the ability to see. Soon
she’s glimpsing strange shadowy figures and people who don’t seem to be
real. She eventually realizes that her
new corneas have somehow enabled her to see ghosts and the shades that
accompany the newly-dead into the afterlife.
Sydney grows determined to learn whose corneas she received and
ultimately learns that the donor was a young Mexican woman who committed
suicide. The donor (known as a “witch”
in her small community) was somewhat psychic insofar as she could see the same
shadowy grim reapers that Sydney perceives and predict some deaths. En route back to the United States from
Mexico (where she and her doctor visited the donor’s mother), Sydney realizes
that she’s meant to save many lives from an accident that’s about to occur.
The Eye is neither awful nor wonderful. It’s a competently-made project with some
chilling imagery (one scene in which Sydney’s stuck in an elevator with a ghost
got under my skin) and a somewhat passive protagonist (at a couple of key
points, Sydney’s doctor becomes the most active character). There are worse ways to spend ninety minutes
or so. I would’ve liked some
clarification on the rules of the spirits’ existences (some seem earthbound
while others get escorted away by the reapers and are never seen again). I’ll probably seek out the original Asian version
of this tale at some point and watch it with subtitles. If you’re in the mood to see Jessica Alba
play a musician who must deal with a newfound ability to glimpse ghosts, you
might enjoy The Eye. I recommend the
film with some reservations.
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